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Combining kiln formed glass with traditional stained glass methods can make some real magic.

The corner pieces are kiln formed glass. I used white irid glass and cut a stencil for the black coarse frit. The frit was heated just enough to tack it to the glass without losing the texture of the frit.


The central piece of glass was kiln formed. Confetti glass was fused to the back of textured irid glass to create a custom piece of glass.




Fusible photo paper was used to create this portrait - knowledge of Photoshop and working through a few technical issues with the chemical make-up of my laserprinter was the key to making this project a success.


Photo Paper works on cathedral glass as well. This is my attempt at a sun catcher.


This ash tray made four trips through the kiln. The petroglyphs are the same gold that's used in fine china. The glass is Bullseye streaky black.


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